SLTF Hazel Shore - Modern Serif & Script Font Duo

From€39 — €79

SLTF Hazel Shore is a serif & script font duo. A high contrast display serif with a matching true italic, and a flowing script drawn to sit inside it.

The idea is simple. You set a word in the serif, then swap one letter for its script counterpart and the...

SLTF Hazel Shore is a serif & script font duo. A high contrast display serif with a matching true italic, and a flowing script drawn to sit inside it.

The idea is simple. You set a word in the serif, then swap one letter for its script counterpart and the whole thing changes character. LONDON with a script L. CHRISTY with a script C. The Story of You with a script S carrying a swash halfway down the page. It's a trick that only works if the two faces are drawn to the same proportions, which is why they were built together rather than paired after the fact. Same x-height, same cap height, same 1000 unit em.

The serif is where the detail lives. 901 glyphs, with 124 ligatures and three stylistic sets that give you alternate forms for the letters that carry a headline. Old style and tabular figures, fractions, superscripts and subscripts, and enough Latin coverage for over 100 languages, including Vietnamese, Central European and Turkish. The italic carries its own set of 111 ligatures.

The script is the display partner. High contrast, long entry and exit strokes, contextual alternates that adjust the joins as you type. It's drawn for names, monograms and single words at large sizes, not for setting paragraphs.

Where it works: fashion and beauty branding, packaging, wine and spirits labels, editorial covers, wedding and event stationery, logos, record sleeves.

WHAT YOU GET
- SLTF Hazel Shore Regular
- SLTF Hazel Shore Italic
- SLTF Hazel Shore Script
- Serif and italic support 100+ languages

FAQ

How do I get the mixed script and serif effect in the previews?
Set the word in the serif, then change just the first letter to the Script font. Both fonts share the same cap height and x-height, so the swap lines up without manual adjustment.

Do I need design software to access the ligatures and alternates?
The ligatures apply automatically in any app with OpenType support, including Illustrator, InDesign, Photoshop, Affinity and Figma. The stylistic sets need the OpenType or Typography panel. Canva does not expose stylistic sets.

Is the italic a true italic?
Yes. It is drawn separately rather than slanted, and it carries its own ligature set.

Which languages does the serif cover?
Over 100, including Western and Central European, Vietnamese, Turkish, Romanian and Catalan.

What is the script best used for?
Single words, names, monograms and short display lines. It is drawn for large sizes where the long strokes have room.

Stamp-edged seal label reading “Rowen” with a swash script R in SLTF Hazel Shore, wrapped over a box beside a floral print — packaging mockup.
Large cream script J in SLTF Hazel Shore over a tennis court photo, beside French cities Lille to Angers in black serif caps with script capitals — type specimen.
Oversized white script Q in SLTF Hazel Shore looping around two hands with rings on a pale background — glyph specimen.
Olive vinyl sleeve and record labelled “Blue Light Archive” in cream SLTF Hazel Shore serif with a script B, on a leather sofa — album cover mockup.
Large black ampersand in SLTF Hazel Shore serif over faded script handwriting on paper — glyph specimen.
“The Fleur” in black SLTF Hazel Shore script and serif caps beside a hand holding a magnolia branch in black and white — type specimen.
French surnames Garnier, Toussaint, Laurent and Blanchet in cream SLTF Hazel Shore serif caps with script capitals over a black-and-white figure — type specimen.
Oversized black script H in SLTF Hazel Shore over a soft blurred grey background — glyph specimen.
“Soul Story” in cream SLTF Hazel Shore serif caps with a swash script S over a pool with palm reflections — type specimen.
Stacked brushed-silver skincare boxes branded “Salt” in black SLTF Hazel Shore script — packaging mockup.
European cities like Barcelona, Marseille, Edinburgh, Rotterdam, Berlin and Munich tiled in white SLTF Hazel Shore script over a vintage car interior — type specimen.
Theodore Roosevelt quote “Believe you can, and you’re halfway there” in white SLTF Hazel Shore serif with a script B, over a car interior — quote specimen.
“Decoding the Runway — gifts by Claire” in cream SLTF Hazel Shore serif caps and script over a figure in a brown hat — editorial mockup.
“Collezione Vera” in white SLTF Hazel Shore serif caps with swash script letters over a classical colonnaded building — branding specimen.
“Christy” modern flower shop logo with a script C and serif caps in SLTF Hazel Shore over a figure in a black wide-brim hat — branding mockup.
Black-and-white brand sheets with a large script J and “Inverno” in SLTF Hazel Shore, with a ring-bound city photo — branding mockup.
Hand carrying an olive striped bakery box branded “The Hearth French Bakery” in SLTF Hazel Shore script and serif — packaging mockup.
Cream envelope with an embossed script A and “Norse Atlantic” in black SLTF Hazel Shore serif caps and script — stationery mockup.
Fragrance notes Bergamot, Cedarwood, Cinnamon and Immortelle in cream SLTF Hazel Shore caps with swash script capitals over dark florals — type specimen.
“London — your perfect flower shop”, estd 2018, in cream SLTF Hazel Shore with a swash script L on dark textured card — branding mockup.
Cream cylindrical tins labelled “the Blend” with a script B monogram in SLTF Hazel Shore on a marble tile floor — packaging mockup.
Black and grey “Hannah” magazine spreads with the title in white SLTF Hazel Shore script — magazine mockup.
Vinyl record label reading “Blue Light Archive” in SLTF Hazel Shore serif and script, with a circular foundry credit — record label mockup.
“Museo del Angel, Madrid, estd 1864” logo repeated in SLTF Hazel Shore serif caps with a script A on textured paper — branding pattern.
“The Story of You” in cream SLTF Hazel Shore serif caps with a large swash script Y on black — poster specimen.
“La Voix” in cream SLTF Hazel Shore serif caps with a swash script X, with fashion brand body copy, over modern architecture — branding specimen.
French surnames like Rousseau, Perrot, Boucher, Giraud and Lefebvre tiled diagonally in black SLTF Hazel Shore caps with script capitals on white — type specimen.
Surnames Lefebvre, Fontaine and Beaumont in cream SLTF Hazel Shore serif caps with swash script capitals on dark textured card — type specimen.
“Thank you for watching” in black SLTF Hazel Shore serif caps with swash script T and R on off-white — closing slide.
“Christy” modern flower shop logo with a script C and serif caps in SLTF Hazel Shore over a figure in a black wide-brim hat — branding mockup.
Stamp-edged seal label reading “Rowen” with a swash script R in SLTF Hazel Shore, wrapped over a box beside a floral print — packaging mockup.
Black-and-white brand sheets with a large script J and “Inverno” in SLTF Hazel Shore, with a ring-bound city photo — branding mockup.
Large cream script J in SLTF Hazel Shore over a tennis court photo, beside French cities Lille to Angers in black serif caps with script capitals — type specimen.
Hand carrying an olive striped bakery box branded “The Hearth French Bakery” in SLTF Hazel Shore script and serif — packaging mockup.
Oversized white script Q in SLTF Hazel Shore looping around two hands with rings on a pale background — glyph specimen.
Cream envelope with an embossed script A and “Norse Atlantic” in black SLTF Hazel Shore serif caps and script — stationery mockup.
Olive vinyl sleeve and record labelled “Blue Light Archive” in cream SLTF Hazel Shore serif with a script B, on a leather sofa — album cover mockup.
Fragrance notes Bergamot, Cedarwood, Cinnamon and Immortelle in cream SLTF Hazel Shore caps with swash script capitals over dark florals — type specimen.
Large black ampersand in SLTF Hazel Shore serif over faded script handwriting on paper — glyph specimen.
“London — your perfect flower shop”, estd 2018, in cream SLTF Hazel Shore with a swash script L on dark textured card — branding mockup.
“The Fleur” in black SLTF Hazel Shore script and serif caps beside a hand holding a magnolia branch in black and white — type specimen.
Cream cylindrical tins labelled “the Blend” with a script B monogram in SLTF Hazel Shore on a marble tile floor — packaging mockup.
French surnames Garnier, Toussaint, Laurent and Blanchet in cream SLTF Hazel Shore serif caps with script capitals over a black-and-white figure — type specimen.
Black and grey “Hannah” magazine spreads with the title in white SLTF Hazel Shore script — magazine mockup.
Oversized black script H in SLTF Hazel Shore over a soft blurred grey background — glyph specimen.
Vinyl record label reading “Blue Light Archive” in SLTF Hazel Shore serif and script, with a circular foundry credit — record label mockup.
“Soul Story” in cream SLTF Hazel Shore serif caps with a swash script S over a pool with palm reflections — type specimen.
“Museo del Angel, Madrid, estd 1864” logo repeated in SLTF Hazel Shore serif caps with a script A on textured paper — branding pattern.
Stacked brushed-silver skincare boxes branded “Salt” in black SLTF Hazel Shore script — packaging mockup.
“The Story of You” in cream SLTF Hazel Shore serif caps with a large swash script Y on black — poster specimen.
European cities like Barcelona, Marseille, Edinburgh, Rotterdam, Berlin and Munich tiled in white SLTF Hazel Shore script over a vintage car interior — type specimen.
“La Voix” in cream SLTF Hazel Shore serif caps with a swash script X, with fashion brand body copy, over modern architecture — branding specimen.
Theodore Roosevelt quote “Believe you can, and you’re halfway there” in white SLTF Hazel Shore serif with a script B, over a car interior — quote specimen.
French surnames like Rousseau, Perrot, Boucher, Giraud and Lefebvre tiled diagonally in black SLTF Hazel Shore caps with script capitals on white — type specimen.
“Decoding the Runway — gifts by Claire” in cream SLTF Hazel Shore serif caps and script over a figure in a brown hat — editorial mockup.
Surnames Lefebvre, Fontaine and Beaumont in cream SLTF Hazel Shore serif caps with swash script capitals on dark textured card — type specimen.
“Collezione Vera” in white SLTF Hazel Shore serif caps with swash script letters over a classical colonnaded building — branding specimen.
“Thank you for watching” in black SLTF Hazel Shore serif caps with swash script T and R on off-white — closing slide.

Select a license, pick your styles - then add to cart when you're ready.

Step 01: Pick Your License

Standard Desktop License
Webfont License
Desktop + Web License
E-pub / eBook License
App License
Template / Server License

Step 02: Pick Your Font

Complete Family —
SLTF Hazel Shore Regular —
SLTF Hazel Shore Italic —
SLTF Hazel Shore Script —

Your Selection

SLTF Hazel Shore - Modern Serif & Script Font Duo

Total —

FAQs

Just me, Alen. I design the fonts, build the website, answer emails, test every file, and pack everything into this little corner of the internet myself. If you reach out, you are talking directly to the person who drew the letters.

Yes. All paid licenses allow commercial use. That includes branding, packaging, posters, social media graphics, YouTube thumbnails, editorial layouts, and pretty much any static design work. If you are not sure, tell me what you are working on and I’ll guide you to the right license.

Here is the simplest breakdown:

  • Desktop License
    For logos, branding, print, social media graphics, packaging, and any static image.
  • Webfont License
    For embedding the font into a website through CSS so text displays live.
  • App or E-Pub License
    For embedding the font inside an app, game, or digital book.
  • Template or Server License
    For editable templates on Canva, Templett, Corjl, or any system where the end user edits text.

If your project mixes several use cases, you might need more than one license. Ask me if you are unsure.

Absolutely. Logo design is fully covered by the Desktop license. You can trademark the logo design you create with my font. You just can’t trademark the entire typeface itself. Convert your final logo to outlines before sending it to your client.

The person or company installing and using the fonts needs the license. If you install the fonts to create work for your client, you need the license. If the client also installs the fonts internally, they need their own license too.

Yes, but with rules:

  • For designing static graphics (Instagram posts, posters, thumbnails): Desktop License is enough. Upload the font to your Canva Brand Kit and export images.
  • For selling editable templates where the buyer changes the text: You need the Template or Server License. This protects the actual font files and keeps everything legal.

If your customer edits text, you need the Template or Server License. One license covers one template product. Never include or redistribute the font files.

Usually yes.

  • You need the Desktop License to design the branding, layouts, and mockups.
  • Your client needs the Webfont License to host the font on their website.

If the font only appears in a static logo image on the website, Desktop is enough.

  • Desktop License: OTF (recommended) and sometimes TTF
  • Webfont License: WOFF and WOFF2

OTF is always the best choice for desktop work and gives you all the OpenType features.

Install OTF. It is the modern format that supports ligatures, alternates, swashes, and smoother curves. Use TTF only if an older machine or tool specifically requires it.

  • Mac: Double click the OTF file and hit Install
  • Windows: Right click and choose Install or Install for All Users


Then restart your design apps so they can refresh their font list.

You need software that supports OpenType features:

  • Illustrator and InDesign: Use the Glyphs panel
  • Photoshop: Window → Glyphs
  • Canva: Copy and paste PUA encoded characters
  • Figma: Basic alternates work, but not full glyph access (yet)

If you want, send me a screenshot and I’ll point you to the right panel.

This is usually a cached font list issue. Try this:

  1. Close your design software completely
  2. Reopen it
  3. If that doesn’t work, restart your computer

This forces your system to rebuild its font list.

Yes, but you need the correct license:

  • App License for embedding inside an iOS or Android app.
  • E-Pub License for embedding inside an EPUB, Kindle file, or interactive PDF.

If you are only designing the book cover as an image, Desktop is enough.

You can modify the vector shapes after converting to outlines in Illustrator. You cannot open, rename, reverse engineer, or change the actual font software files. The font file is protected software.

No. Sharing the actual font files outside your licensed team is not allowed.

  • Printers: You can send them PDFs with fonts embedded or text converted to outlines, but not the font files.
  • Clients: If they want to install the fonts on their own devices, they need their own license.
  • Collaborators: Any external designer using the font on their own machine needs their own license too.

You can share final artwork. You cannot share the raw font software.

Yes. If your project involves TV, streaming, a very large number of users, or a software platform where many end users interact with the fonts, I can prepare a custom license.

Tell me:

  • What the project is
  • Where the fonts will appear
  • Rough audience size or user count

I will review it and send you a tailored offer so everything is covered properly.

Fonts are digital files and cannot be returned once downloaded, so all sales are generally final. But I’m human. If you bought the same font twice or you find a genuine technical issue, email me. I want you to be happy with your purchase.

If you created an account at checkout, log in and re download your fonts anytime. If not, send me your order details and I will email you fresh links.

Just use the contact form on my website or email me directly at info@silverstagtype.com I reply personally. I’m one person, not a support team, so please give me a little bit of time. But I always get back to you.