First Contact - Ultra Condensed Typeface (16 Fonts)

From€39 — €149

First Contact is a modern ultra-condensed typeface family built for bold, space-efficient design. With 16 fonts—including Ultra Light, Light, Thin, and Regular weights in Rounded and Outlined styles—this collection offers maximum visual impact with minimal horizontal space.

Designed for standout headlines, expressive logos, cutting-edge web layouts, and sleek packaging, First...

First Contact is a modern ultra-condensed typeface family built for bold, space-efficient design. With 16 fonts—including Ultra Light, Light, Thin, and Regular weights in Rounded and Outlined styles—this collection offers maximum visual impact with minimal horizontal space.

Designed for standout headlines, expressive logos, cutting-edge web layouts, and sleek packaging, First Contact brings structure, style, and character to any creative project. Its tall letterforms and tight spacing create an instantly recognizable look that commands attention.

This typeface includes 540+ ligatures, giving your designs a uniquely expressive rhythm and contemporary edge. Whether you’re creating striking editorial layouts or eye-catching identity systems, First Contact offers endless typographic combinations.

With support for 90+ languages, it’s globally adaptable and ready for a wide range of digital and print projects.

US city names — Chattanooga, Sacramento, Indianapolis, Birmingham — set in First Contact, filled and outline, on red, coral and blue bands — type specimen.
Two framed posters reading "Flow" in cream First Contact, on red and lime — poster mockup.
A perfume bottle reading "Ombra Secreta, fragrance of neroli, 250ml" set in First Contact — perfume packaging mockup.
A travel book reading "España, a practical travel guide" set in First Contact — book mockup.
Black and yellow soap dispensers reading "Scent Haven" set in First Contact — packaging mockup.
"Margot" magazine spreads set in First Contact, with a black-and-white photo of a person in a hat — magazine mockup.
"Polaroid" magazine covers in cream and yellow set in First Contact, with black-and-white photos — magazine mockup.
"Maurice* Ravel, Opera / Paris" set in yellow First Contact, filled and outline, over a black-and-white photo of a ballet dancer — display.
Herb names embossed in First Contact on tan — Thyme, Sage, Parsley, Dill, Chives, Mint — type-as-texture specimen.
A dark business card reading "Former Studios, Carl Grant" set in First Contact — branding mockup.
"Editorial" repeated in yellow and red First Contact over a photo of a woman in a sari — type-as-texture layout.
"Madrid" set in black First Contact over a photo of the Metropolis building in Madrid — display.
A dark business card reading "Cavendish, ultra condensed ligature rich sans serif" set in First Contact — branding mockup.
"Freedom" set in cream First Contact over a photo of a person in a bucket hat by the sea — type-as-texture display.
"Driftwood" set in white ultra-condensed First Contact over a pink protea flower — type-as-texture display.
A white box reading "The Moonlight Atelier, Cedre, premium essential oil-based incense" set in First Contact, with matchsticks — packaging mockup.
Artist names — Pablo Picasso, Salvador Dalí, Francisco Goya, Joan Miró, Diego Velázquez — set in red First Contact on pink — type specimen.
A "Reverie Journal" magazine set in First Contact — a cover and an orange spread on fashion as an art form — magazine mockup.
"Fashionista" set in pale yellow First Contact over a photo of a man in a teal suit — type-as-texture display.
"Botanique" set in cream First Contact over a photo of plants on tan — type-as-texture display.
A business card reading "Carl Lagard, ultra condensed typeface with over 540 ligatures" set in First Contact, on a woven backdrop — branding mockup.
"Officially" set in cream First Contact over a teal background with a billy-button flower — type-as-texture display.
A cream box reading "Hauterra" set in First Contact with an inset thistle photo — packaging mockup.
"The Inside* Look, made naturally and crafted with pure love" in cream and lime First Contact on dark green — type specimen.
A hanging sign reading "Grant Travel, your travel agency" with an airplane graphic, set in First Contact — branding mockup.
A dark business card reading "Former Studios, Max Sawyer" set in First Contact on wood — branding mockup.
A canvas tote bag printed with tiled outline First Contact lettering, on stone steps — apparel mockup.
US city names set in cream First Contact over a dark textured background in a diagonal layout — type-as-texture specimen.
"Ember & Aura" set in cream First Contact over black-and-white photos of women — fashion branding mockup.
"Driftwood" set in white ultra-condensed First Contact over a pink protea flower — type-as-texture display.
US city names — Chattanooga, Sacramento, Indianapolis, Birmingham — set in First Contact, filled and outline, on red, coral and blue bands — type specimen.
A white box reading "The Moonlight Atelier, Cedre, premium essential oil-based incense" set in First Contact, with matchsticks — packaging mockup.
Two framed posters reading "Flow" in cream First Contact, on red and lime — poster mockup.
Artist names — Pablo Picasso, Salvador Dalí, Francisco Goya, Joan Miró, Diego Velázquez — set in red First Contact on pink — type specimen.
A perfume bottle reading "Ombra Secreta, fragrance of neroli, 250ml" set in First Contact — perfume packaging mockup.
A "Reverie Journal" magazine set in First Contact — a cover and an orange spread on fashion as an art form — magazine mockup.
A travel book reading "España, a practical travel guide" set in First Contact — book mockup.
"Fashionista" set in pale yellow First Contact over a photo of a man in a teal suit — type-as-texture display.
Black and yellow soap dispensers reading "Scent Haven" set in First Contact — packaging mockup.
"Botanique" set in cream First Contact over a photo of plants on tan — type-as-texture display.
"Margot" magazine spreads set in First Contact, with a black-and-white photo of a person in a hat — magazine mockup.
A business card reading "Carl Lagard, ultra condensed typeface with over 540 ligatures" set in First Contact, on a woven backdrop — branding mockup.
"Polaroid" magazine covers in cream and yellow set in First Contact, with black-and-white photos — magazine mockup.
"Officially" set in cream First Contact over a teal background with a billy-button flower — type-as-texture display.
"Maurice* Ravel, Opera / Paris" set in yellow First Contact, filled and outline, over a black-and-white photo of a ballet dancer — display.
A cream box reading "Hauterra" set in First Contact with an inset thistle photo — packaging mockup.
Herb names embossed in First Contact on tan — Thyme, Sage, Parsley, Dill, Chives, Mint — type-as-texture specimen.
"The Inside* Look, made naturally and crafted with pure love" in cream and lime First Contact on dark green — type specimen.
A dark business card reading "Former Studios, Carl Grant" set in First Contact — branding mockup.
A hanging sign reading "Grant Travel, your travel agency" with an airplane graphic, set in First Contact — branding mockup.
"Editorial" repeated in yellow and red First Contact over a photo of a woman in a sari — type-as-texture layout.
A dark business card reading "Former Studios, Max Sawyer" set in First Contact on wood — branding mockup.
"Madrid" set in black First Contact over a photo of the Metropolis building in Madrid — display.
A canvas tote bag printed with tiled outline First Contact lettering, on stone steps — apparel mockup.
A dark business card reading "Cavendish, ultra condensed ligature rich sans serif" set in First Contact — branding mockup.
US city names set in cream First Contact over a dark textured background in a diagonal layout — type-as-texture specimen.
"Freedom" set in cream First Contact over a photo of a person in a bucket hat by the sea — type-as-texture display.
"Ember & Aura" set in cream First Contact over black-and-white photos of women — fashion branding mockup.

Select a license, pick your styles - then add to cart when you're ready.

Step 01: Pick Your License

Standard Desktop License
Webfont License
E-pub / eBook License
App License
Template / Server License

Step 02: Pick Your Font

Complete Family
Thin
Thin Outline
Thin Rounded
Thin Rounded Outline
Ultra Light
Ultra Light Outline
Ultra Light Rounded
Ultra Light Rounded Outline
Light
Light Outline
Light Rounded
Light Rounded Outline
Regular
Regular Outline
Regular Rounded
Regular Rounded Outline

Your Selection

First Contact - Ultra Condensed Typeface (16 Fonts)

Total

FAQs

Just me, Alen. I design the fonts, build the website, answer emails, test every file, and pack everything into this little corner of the internet myself. If you reach out, you are talking directly to the person who drew the letters.

Yes. All paid licenses allow commercial use. That includes branding, packaging, posters, social media graphics, YouTube thumbnails, editorial layouts, and pretty much any static design work. If you are not sure, tell me what you are working on and I’ll guide you to the right license.

Here is the simplest breakdown:

  • Desktop License
    For logos, branding, print, social media graphics, packaging, and any static image.
  • Webfont License
    For embedding the font into a website through CSS so text displays live.
  • App or E-Pub License
    For embedding the font inside an app, game, or digital book.
  • Template or Server License
    For editable templates on Canva, Templett, Corjl, or any system where the end user edits text.

If your project mixes several use cases, you might need more than one license. Ask me if you are unsure.

Absolutely. Logo design is fully covered by the Desktop license. You can trademark the logo design you create with my font. You just can’t trademark the entire typeface itself. Convert your final logo to outlines before sending it to your client.

The person or company installing and using the fonts needs the license. If you install the fonts to create work for your client, you need the license. If the client also installs the fonts internally, they need their own license too.

Yes, but with rules:

  • For designing static graphics (Instagram posts, posters, thumbnails): Desktop License is enough. Upload the font to your Canva Brand Kit and export images.
  • For selling editable templates where the buyer changes the text: You need the Template or Server License. This protects the actual font files and keeps everything legal.

If your customer edits text, you need the Template or Server License. One license covers one template product. Never include or redistribute the font files.

Usually yes.

  • You need the Desktop License to design the branding, layouts, and mockups.
  • Your client needs the Webfont License to host the font on their website.

If the font only appears in a static logo image on the website, Desktop is enough.

  • Desktop License: OTF (recommended) and sometimes TTF
  • Webfont License: WOFF and WOFF2

OTF is always the best choice for desktop work and gives you all the OpenType features.

Install OTF. It is the modern format that supports ligatures, alternates, swashes, and smoother curves. Use TTF only if an older machine or tool specifically requires it.

  • Mac: Double click the OTF file and hit Install
  • Windows: Right click and choose Install or Install for All Users


Then restart your design apps so they can refresh their font list.

You need software that supports OpenType features:

  • Illustrator and InDesign: Use the Glyphs panel
  • Photoshop: Window → Glyphs
  • Canva: Copy and paste PUA encoded characters
  • Figma: Basic alternates work, but not full glyph access (yet)

If you want, send me a screenshot and I’ll point you to the right panel.

This is usually a cached font list issue. Try this:

  1. Close your design software completely
  2. Reopen it
  3. If that doesn’t work, restart your computer

This forces your system to rebuild its font list.

Yes, but you need the correct license:

  • App License for embedding inside an iOS or Android app.
  • E-Pub License for embedding inside an EPUB, Kindle file, or interactive PDF.

If you are only designing the book cover as an image, Desktop is enough.

You can modify the vector shapes after converting to outlines in Illustrator. You cannot open, rename, reverse engineer, or change the actual font software files. The font file is protected software.

No. Sharing the actual font files outside your licensed team is not allowed.

  • Printers: You can send them PDFs with fonts embedded or text converted to outlines, but not the font files.
  • Clients: If they want to install the fonts on their own devices, they need their own license.
  • Collaborators: Any external designer using the font on their own machine needs their own license too.

You can share final artwork. You cannot share the raw font software.

Yes. If your project involves TV, streaming, a very large number of users, or a software platform where many end users interact with the fonts, I can prepare a custom license.

Tell me:

  • What the project is
  • Where the fonts will appear
  • Rough audience size or user count

I will review it and send you a tailored offer so everything is covered properly.

Fonts are digital files and cannot be returned once downloaded, so all sales are generally final. But I’m human. If you bought the same font twice or you find a genuine technical issue, email me. I want you to be happy with your purchase.

If you created an account at checkout, log in and re download your fonts anytime. If not, send me your order details and I will email you fresh links.

Just use the contact form on my website or email me directly at info@silverstagtype.com I reply personally. I’m one person, not a support team, so please give me a little bit of time. But I always get back to you.