Baroque Grotesk – A 72-Font Grotesk Typeface

From€149

Baroque Grotesk is a sophisticated type system that fuses classical beauty with geometric clarity. With 72 fonts, including variable styles and over 200 ligatures and alternates, this typeface offers endless possibilities for expressive, modern design.

Featuring 9 weights from Thin to Black, each with 4 distinct styles—Regular, Round, Outlined, and...

Baroque Grotesk is a sophisticated type system that fuses classical beauty with geometric clarity. With 72 fonts, including variable styles and over 200 ligatures and alternates, this typeface offers endless possibilities for expressive, modern design.

Featuring 9 weights from Thin to Black, each with 4 distinct styles—Regular, Round, Outlined, and Round Outlined—plus matching italics, Baroque Grotesk gives you the flexibility to build striking visual hierarchies across branding, editorial, packaging, and digital design.

Thoughtfully crafted, the typeface includes three stylistic sets and an extensive library of alternates that let you fine-tune your typography to match your brand’s personality or your creative vision. And with support for 92+ languages, it’s ready for global use across industries.

Baroque Grotesk’s balance of elegance and structure makes it an ideal choice for designers seeking a typeface that is both timeless and distinctly modern.

Curled red-and-white poster listing Baroque Grotesk Black style names (Black, Black Italic, Black Italic Outline) beside a large red "2".
Orange packing tape printed "Baroque 72 Fonts" repeated, crossing over a concrete surface — branding mockup.
Two phones on a dark background showing app screens reading "the New (Pro)" set in Baroque Grotesk — digital mockup.
"designers don't make mistakes!" set in red Baroque Grotesk on peach, with a black dandelion burst inside an arch.
Canvas tote bag printed with outlined "Stuffed" repeated in Baroque Grotesk, on wooden boards — apparel mockup.
Baroque Grotesk type layout — "The Inside Look, Made Naturally & Crafted With Pure Love" with a large black italic "after."
Grey sweatshirt printed "Revolt Streetwear, EST 2023" in outlined Baroque Grotesk arranged in a circle — apparel mockup.
"Baroque Grotesk" set filled and outlined on red, with large cream "fajw" letterforms behind — type specimen.
Mint green tote bag printed "Today, I decide to be me!" in Baroque Grotesk — apparel mockup.
Black phone on dark pebbles showing a travel app, "Wanderlust: A Journey of Self-Discovery," set in Baroque Grotesk — app mockup.
Curled white poster listing Baroque Grotesk Black style names beside a large red "2" — type specimen.
Yellow panel listing every Baroque Grotesk weight from Thin to Black with Italic, Rounded and Outlined variants.
Yellow and black-and-white collage repeating "Bonsoir Paris" in Baroque Grotesk display over a portrait.
Back of a white t-shirt on a model printed "Madrid" with a classical eagle graphic, set in Baroque Grotesk — apparel mockup.
"laPoire" set in white Baroque Grotesk display over a halved pear on a mint background with a round mirror.
A large black "Ag" on a bright yellow background, showcasing Baroque Grotesk's uppercase A and lowercase g.
Red panel with a giant "72" and the full list of Baroque Grotesk OpenType file names from Black to Bold.
"Only in cinemas — Change Makers" set in cream Baroque Grotesk over a moody field with a lone figure — poster mockup.
Travel guide "Costa de Málaga — The Tourist Guide You Need" with a seaside cover, titled in Baroque Grotesk — book mockup.
Framed poster showing large "fa Rn Ka" letters in black and red with "Baroque Grotesk" repeated beneath — wall specimen mockup.
Mint panel breaking down Baroque Grotesk's nine weights across Regular, Outlined, Round, Round Outlined and matching italics.
"Baroque" in geometric Baroque Grotesk caps over the grand Metropolis building in Madrid, noting 200+ alternates and ligatures.
City names — London, New York, Barcelona, Prague — set in warped black Baroque Grotesk display in a fluid layout.
Orange background tiled with rows of the lowercase "a" in yellow, showing Baroque Grotesk's alternate glyph.
Back of a white t-shirt on a model printed "Madrid" with a classical eagle graphic, set in Baroque Grotesk — apparel mockup.
3D travel book "Costa de Málaga — The Tourist Guide You Need" with a patterned cover, titled in Baroque Grotesk — book mockup.
Back of a white t-shirt on a model printed "Madrid" with a classical eagle graphic, set in Baroque Grotesk — apparel mockup.
Curled red-and-white poster listing Baroque Grotesk Black style names (Black, Black Italic, Black Italic Outline) beside a large red "2".
"laPoire" set in white Baroque Grotesk display over a halved pear on a mint background with a round mirror.
Orange packing tape printed "Baroque 72 Fonts" repeated, crossing over a concrete surface — branding mockup.
A large black "Ag" on a bright yellow background, showcasing Baroque Grotesk's uppercase A and lowercase g.
Two phones on a dark background showing app screens reading "the New (Pro)" set in Baroque Grotesk — digital mockup.
Red panel with a giant "72" and the full list of Baroque Grotesk OpenType file names from Black to Bold.
"designers don't make mistakes!" set in red Baroque Grotesk on peach, with a black dandelion burst inside an arch.
"Only in cinemas — Change Makers" set in cream Baroque Grotesk over a moody field with a lone figure — poster mockup.
Canvas tote bag printed with outlined "Stuffed" repeated in Baroque Grotesk, on wooden boards — apparel mockup.
Travel guide "Costa de Málaga — The Tourist Guide You Need" with a seaside cover, titled in Baroque Grotesk — book mockup.
Baroque Grotesk type layout — "The Inside Look, Made Naturally & Crafted With Pure Love" with a large black italic "after."
Framed poster showing large "fa Rn Ka" letters in black and red with "Baroque Grotesk" repeated beneath — wall specimen mockup.
Grey sweatshirt printed "Revolt Streetwear, EST 2023" in outlined Baroque Grotesk arranged in a circle — apparel mockup.
Mint panel breaking down Baroque Grotesk's nine weights across Regular, Outlined, Round, Round Outlined and matching italics.
"Baroque Grotesk" set filled and outlined on red, with large cream "fajw" letterforms behind — type specimen.
"Baroque" in geometric Baroque Grotesk caps over the grand Metropolis building in Madrid, noting 200+ alternates and ligatures.
Mint green tote bag printed "Today, I decide to be me!" in Baroque Grotesk — apparel mockup.
City names — London, New York, Barcelona, Prague — set in warped black Baroque Grotesk display in a fluid layout.
Black phone on dark pebbles showing a travel app, "Wanderlust: A Journey of Self-Discovery," set in Baroque Grotesk — app mockup.
Orange background tiled with rows of the lowercase "a" in yellow, showing Baroque Grotesk's alternate glyph.
Curled white poster listing Baroque Grotesk Black style names beside a large red "2" — type specimen.
Back of a white t-shirt on a model printed "Madrid" with a classical eagle graphic, set in Baroque Grotesk — apparel mockup.
Yellow panel listing every Baroque Grotesk weight from Thin to Black with Italic, Rounded and Outlined variants.
3D travel book "Costa de Málaga — The Tourist Guide You Need" with a patterned cover, titled in Baroque Grotesk — book mockup.
Yellow and black-and-white collage repeating "Bonsoir Paris" in Baroque Grotesk display over a portrait.

Select a license, pick your styles - then add to cart when you're ready.

Step 01: Pick Your License

Standard Desktop License
Webfont License
E-pub / eBook License
App License
Template / Server License

Your Selection

Baroque Grotesk – A 72-Font Grotesk Typeface

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FAQs

Just me, Alen. I design the fonts, build the website, answer emails, test every file, and pack everything into this little corner of the internet myself. If you reach out, you are talking directly to the person who drew the letters.

Yes. All paid licenses allow commercial use. That includes branding, packaging, posters, social media graphics, YouTube thumbnails, editorial layouts, and pretty much any static design work. If you are not sure, tell me what you are working on and I’ll guide you to the right license.

Here is the simplest breakdown:

  • Desktop License
    For logos, branding, print, social media graphics, packaging, and any static image.
  • Webfont License
    For embedding the font into a website through CSS so text displays live.
  • App or E-Pub License
    For embedding the font inside an app, game, or digital book.
  • Template or Server License
    For editable templates on Canva, Templett, Corjl, or any system where the end user edits text.

If your project mixes several use cases, you might need more than one license. Ask me if you are unsure.

Absolutely. Logo design is fully covered by the Desktop license. You can trademark the logo design you create with my font. You just can’t trademark the entire typeface itself. Convert your final logo to outlines before sending it to your client.

The person or company installing and using the fonts needs the license. If you install the fonts to create work for your client, you need the license. If the client also installs the fonts internally, they need their own license too.

Yes, but with rules:

  • For designing static graphics (Instagram posts, posters, thumbnails): Desktop License is enough. Upload the font to your Canva Brand Kit and export images.
  • For selling editable templates where the buyer changes the text: You need the Template or Server License. This protects the actual font files and keeps everything legal.

If your customer edits text, you need the Template or Server License. One license covers one template product. Never include or redistribute the font files.

Usually yes.

  • You need the Desktop License to design the branding, layouts, and mockups.
  • Your client needs the Webfont License to host the font on their website.

If the font only appears in a static logo image on the website, Desktop is enough.

  • Desktop License: OTF (recommended) and sometimes TTF
  • Webfont License: WOFF and WOFF2

OTF is always the best choice for desktop work and gives you all the OpenType features.

Install OTF. It is the modern format that supports ligatures, alternates, swashes, and smoother curves. Use TTF only if an older machine or tool specifically requires it.

  • Mac: Double click the OTF file and hit Install
  • Windows: Right click and choose Install or Install for All Users


Then restart your design apps so they can refresh their font list.

You need software that supports OpenType features:

  • Illustrator and InDesign: Use the Glyphs panel
  • Photoshop: Window → Glyphs
  • Canva: Copy and paste PUA encoded characters
  • Figma: Basic alternates work, but not full glyph access (yet)

If you want, send me a screenshot and I’ll point you to the right panel.

This is usually a cached font list issue. Try this:

  1. Close your design software completely
  2. Reopen it
  3. If that doesn’t work, restart your computer

This forces your system to rebuild its font list.

Yes, but you need the correct license:

  • App License for embedding inside an iOS or Android app.
  • E-Pub License for embedding inside an EPUB, Kindle file, or interactive PDF.

If you are only designing the book cover as an image, Desktop is enough.

You can modify the vector shapes after converting to outlines in Illustrator. You cannot open, rename, reverse engineer, or change the actual font software files. The font file is protected software.

No. Sharing the actual font files outside your licensed team is not allowed.

  • Printers: You can send them PDFs with fonts embedded or text converted to outlines, but not the font files.
  • Clients: If they want to install the fonts on their own devices, they need their own license.
  • Collaborators: Any external designer using the font on their own machine needs their own license too.

You can share final artwork. You cannot share the raw font software.

Yes. If your project involves TV, streaming, a very large number of users, or a software platform where many end users interact with the fonts, I can prepare a custom license.

Tell me:

  • What the project is
  • Where the fonts will appear
  • Rough audience size or user count

I will review it and send you a tailored offer so everything is covered properly.

Fonts are digital files and cannot be returned once downloaded, so all sales are generally final. But I’m human. If you bought the same font twice or you find a genuine technical issue, email me. I want you to be happy with your purchase.

If you created an account at checkout, log in and re download your fonts anytime. If not, send me your order details and I will email you fresh links.

Just use the contact form on my website or email me directly at info@silverstagtype.com I reply personally. I’m one person, not a support team, so please give me a little bit of time. But I always get back to you.